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Corel PaintShop Pro X5 manual.Corel paintshop pro x5 benutzerhandbuch free
When you use a noise removal command, the program 90 Corel PaintShop Pro X5 User Guide Page 97 analyzes your photo, identifies the noise artifacts, and applies corrections based on these identified areas, while preserving the important edge details of your photo. The image on the left looks grainy because of digital camera noise.
The image on the right appears smoother and less grainy after the noise has been removed. You can automatically apply noise correction to your photo with the One Step Noise Removal command. You can also control more precisely how the same corrections are applied by using the more comprehensive Digital Noise Removal command.
After a brief pause, the noise is automatically removed. Adjusting white balance You can often improve a photo dramatically by adjusting the colors. Different types of lighting, cameras, and the processing that occurs inside the camera can cause incorrect coloring in photos.
Scanned images may have unnatural color casts. Adjusting images 91 Page 98 The White Balance dialog box appears. This allows Corel PaintShop Pro to evaluate and make minor corrections to the image automatically. If you know what color temperature the photo should be, you can set precise tonal balance values by marking the Advanced Options check box and typing or setting the temperature values in the Temperature and Tint controls in the White Balance group box.
You can tweak the colors by adjusting values in the Temperature and Tint controls in the Enhance White Balance group box. Drag in the Before pane to center an important part of the image such as a face. The default value is Note: Use the minimum value that produces a good correction.
If you apply too much correction, highlight and shadow areas may lose detail, and objects may blend together. To add more of a color, use a positive number. To remove some of a color, use a negative number. Note: Reducing the amount of blue adds a yellow cast to the image, reducing the amount of green adds a magenta cast to the image, and reducing the amount of red adds a cyan cast to the image.
Adjusting brightness, contrast, and clarity Corel PaintShop Pro lets you adjust the brightness, contrast, and clarity in your photos. Clarity lets you adjust the level of detail in the image by analyzing contrast within localized areas. A positive number lightens the photo; a negative number darkens the photo.
A value of zero preserves the original setting. Adjusting images 93 Page A positive number increases contrast; a negative number decreases contrast. You can use the zoom control in the dialog box to set your view of the image in the Before and After panes. A positive number lightens the darkest areas of the photo; a negative number darkens the light areas of the photo.
A positive number increases detail; a negative number decreases detail and focus. The Local Tone Mapping dialog box appears. Use the smallest value that produces a satisfying result. Values that are too high cause unwanted artifacts to appear in the photo. Controlling depth of field You can control the depth of field to create an area of focus that draws attention to the subject in your photo. For example, in a photo of a person surrounded by a field of flowers, you can defocus blur the surrounding flowers while retaining a clear focus on the person.
You can apply the Depth of Field effect to draw attention to the subject in your photo. To create an area of focus by using the Depth of Field effect Edit workspace 1 In the Edit workspace, select the area that you want to keep in focus.
Adjusting images 95 Page The Depth of Field dialog box appears. You can also Invert the selected area Mark the Invert check box. Moving the slider to the right increases the feathering; moving the slider to the left decreases the feathering.
Note that a setting of 0 produces a hard, undefined edge, which is probably not what you want. In general, do not set this slider to less than 2 or 3. Fine-tune the size of the area in focus Move the Focus range slider to the left to shrink the area in focus.
Move the slider to the right to expand the area in focus to the edge of the selection. Removing red-eye Red-eye in photos is a common problem. Corel PaintShop Pro has two methods of removing red-eye from a color photo. The fastest method of removal is to use the Red Eye tool. A more powerful method is to use the advanced Red Eye Removal command, which lets you change the eye color.
To remove red-eye quickly Edit workspace 1 On the Tools toolbar, choose the Red Eye tool 2 On the Tool Options palette, adjust the Size of Red-Eye control so that the pointer is about twice the size of the red area needing correction.
You can zoom in on the photo, if necessary, for better control of the Red Eye tool. You can size the pointer interactively by holding down Alt while dragging the Red Eye tool over the eye area. To remove facial blemishes Edit workspace 1 On the Tools toolbar, choose the Makeover tool. The pointer changes to concentric circles. Retouching and restoring images 99 Page 3 On the Tool Options palette, adjust the Size control to the smallest size that allows the inner circle to enclose the blemish.
The outer circle is for the material used to cover the blemish. Values range from 1 to Higher values apply more of the source material enclosed in the outer circle to the blemish area enclosed in the inner circle.
You can zoom in on the photo for better control of the Makeover tool. To whiten teeth Edit workspace 1 On the Tools toolbar, choose the Makeover tool. Higher settings produce more intense whitening but may also produce an unnatural appearance. If the teeth are separated or partially obscured, you may need to apply this tool to each tooth individually.
The Toothbrush mode of the Makeover tool works only with color photos. To apply whitening eye drops Edit workspace 1 On the Tools toolbar, choose the Makeover tool. Higher values whiten more of the eye area but may spread the whitening beyond the affected area of the eye. Higher values produce a darker tan. To apply a thinning effect Edit workspace 1 On the Tools toolbar, choose the Makeover tool. Higher values compress more pixels in the horizontal axis.
The pixels compress on either side of the point you click. You can continue clicking to enhance the thinning effect. To remove facial wrinkles Edit workspace 1 On the Tools toolbar, choose the Scratch Remover tool Retouching and restoring images. The wrinkle is covered by the surrounding skin texture.
If you need to start again, you can undo the correction, adjust the Width control, and redrag. For wrinkle lines that are not straight, correct just one portion at a time.
Moving the slider to the right applies more smoothing; moving the slider to the left applies less smoothing. The Skin Smoothing command automatically detects and smooths skin tones without affecting eyes or lips. However, if other areas in your photo are affected because they are similar in color to the skin tone, you can use a selection to isolate the area you want to smooth.
Removing scratches The Scratch Remover tool lets you remove scratches, cracks, and other unwanted image areas from photos. Retouching and restoring images Page You can repair individual scratches by using the Scratch Remover tool.
You can use the tool to enclose the flawed area and fill it with the surrounding content that you want to keep. If the background is relatively smooth, the result is usually satisfying. Scratches on a textured or more complex background may be more effectively removed with the Clone Brush tool. For images containing many small scratches, you can use the Automatic Small Scratch Remover command. To remove scratches Edit workspace 1 On the Layers palette, select the layer that contains the area you want to remove.
The enclosed area is replaced with the surrounding pixels. You can also Move the selection box starting point in 1-pixel increments Before releasing the mouse button, press an Arrow key.
Increase or decrease the width of the selection box in 1-pixel increments Before releasing the mouse button, press Page up or Page down. Use surrounding pixels to fill the area perpendicular to the edge of the selection box Before releasing the mouse button, press Shift. This technique is ideal for photos in which the background contains areas with defined borders and lines, such as a brick wall.
To avoid removing important details from areas surrounding the scratch, you can limit the correction by creating a selection. If you are not satisfied with the result, click the Undo button , reselect the scratch, and try varying the width of the tool. If the scratch extends over several different backgrounds, you can try removing the scratch one section at a time.
Retouching and restoring images Page Removing flaws and objects You can remove flaws and objects in your images by using the Clone Brush tool or the Object Remover tool. The Clone Brush tool lets you remove flaws and objects by painting over them with another part of the image. The paint source can be a part of the same layer, another layer in the image, a merged image, or a layer from another image. The Clone Brush tool was used to remove the garbage bag from the photo on the left.
The Object Remover tool lets you remove objects when the surrounding area is fairly uniform in color and texture. This tool is similar to the Clone Brush tool in that it lets you identify the area to remove and then choose a background for covering that area.
The Object Remover tool was used to remove one boat from the water. If you want the Clone Brush tool to reset the source point each time you resume painting, mark the Aligned mode check box.
You can continue dragging over the target area to fill in the source image. Unmark the check box if you want every stroke to copy the same data from the original source point. If you want to clone data from all layers merged together, mark the Use all layers check box.
If you want to clone data from the current layer only, unmark the check box. If the image has more than one layer, click the name of the layer on the Layers palette before you define the source area. When you clone an image area, you must select a source area with data.
If your image contains a selection, you must right-click within the selection to set your clone source. If you are using a pen tablet, you can achieve the same result by holding down Shift. You can also hold down Shift and click the image to set the source point. You can resize the brush interactively by pressing Alt while dragging in the image window. A rectangle is displayed in the image window.
It is recommended that you make the rectangle as large as, or slightly larger than, the area you are removing. You can also create a selection by using any of the selection tools before you activate the Object Remover tool.
Erasing image areas You can use the Eraser tool to erase areas of a layer to transparency. A gray-and-white checkerboard pattern indicates transparent areas. You can use the Background Eraser tool to erase pixels selectively. For example, in a photo of a mountain range, you can erase the sky, or you can isolate an object from the surrounding image area. To erase an image area Edit workspace 1 On the Tools toolbar, choose the Eraser tool.
You can also Restore erased pixels Hold down the right mouse button, and drag over the erased area. Erase a straight line Click at the beginning of the line, hold down Shift, and click the end of the line.
To continue erasing the line, move to the next point, hold down Shift, and click again. Retouching and restoring images Page If you erase the background layer, the Eraser tool erases to transparency, and the layer is automatically promoted to a raster layer.
To erase the background area of an image Edit workspace 1 On the Layers palette, click the layer that contains the image element that you want to isolate.
Slow, careful strokes give you the best results. Keep the center of the brush on regions you want to erase, while keeping the edges of the brush on regions you want to preserve. You can also Restore erased pixels Right-click and drag. Erase a straight line Click once at the beginning point, hold down Shift, and click the endpoint.
Switch to the Eraser tool Hold down the Backspace key while you drag the mouse. The background layer is automatically promoted to a raster layer when you work on it with the Background Eraser tool. You can then edit the cutout separately from the background, display it against a different background, or combine it with other images. To cut out an image area Edit workspace 1 On the Layers palette, click the layer that contains the image area that you want to cut out. Retouching and restoring images Page The Object Extractor dialog box appears, with the Brush tool activated by default.
Ensure that the selection outline slightly overlaps the surrounding background and completely surrounds the area in a closed ring. Note: If the selection outline is not closed, the fill covers the entire image.
If this is the case, click the Eraser tool to clear the fill, and then complete the selection outline with the Brush tool. If you are not happy with the result, click Edit Mask to return to the previous view and touch up the cutout.
You can also Erase parts of the selection outline Choose the Eraser tool , and drag over the selection marquee that you want to delete. Refine the edge detail in the final result Move the Accuracy slider to a higher value if the object has an intricate or complex outline. The Accuracy slider is available only after you click Process. Revert to the original image Click Reset. The Reset button is available only before you click Process and clears both the fill and the selection outline.
Specify an exact size for the brush or Type or set a value in the Brush size eraser nib box. Zoom in and out Type or set a value in the Zoom box. Pan to another area of the image Using the Pan tool , drag the image until the area you want to see is visible.
The background layer is automatically promoted to a raster layer when you use the Object Extractor command. You can switch from the Brush tool to the Eraser tool by rightclicking and dragging in the preview area. Recoloring image areas for a realistic effect You can use the Color Changer tool to realistically recolor an object or a region in an image.
The Color Changer tool detects and analyzes variations in image brightness and applies the recoloring based on that illumination. Retouching and restoring images Page It lets you adjust Tool Options palette settings for Tolerance and Edge Softness, and it updates the current recoloring as you modify settings on the Tool Options palette or modify the color in the Materials palette.
The Color Changer tool works best on matte objects such as clothing, carpet, and painted objects that are a solid color. It may not work as well on shiny or reflective objects and is not designed to work with gradients or patterns.
The Color Changer tool is grouped with the Flood Fill tool. You can also Use a color from the current image Choose the Dropper tool , click the color you want in the image, and then choose the Color Changer tool to reactivate it. Instantly change the color you want to apply Before clicking Apply, click a color on the Materials palette.
Higher settings cause more pixels to be recolored. While using the Color Changer tool, you can undo and redo actions such as adjusting colors or adjusting settings on the Tool Options palette. Retouching and restoring images Page To isolate the area you want to recolor, you can create a selection.
To prevent the Color Changer from affecting areas of the photo that you do not want to change, you can duplicate the layer on which the photo resides, apply the Color Changer to the new layer, and use the Eraser tool to erase the areas of changed color that you want to restore. You can then merge the layers. Adding borders You can add a colored frame or border around an image.
When you add a border to an image, the dimensions of the image are expanded to the border. For multilayer images, Corel PaintShop Pro prompts you to flatten the image before adding the border; however, you can also add a border without flattening the image by changing the canvas size. The Add Borders dialog box appears. You can change the units of measurement for the border by choosing an option from the drop-list in the Original Dimensions group box.
Scaling photos by using Smart Carver Smart Carver lets you make a photo narrower, wider, shorter, or longer without distorting the content. By automatically detecting and removing zones in the picture that have little structural detail, this feature lets you change the aspect ratio without noticeably changing the image. You can also target a specific zone to remove from the photo, regardless of its level of detail, or preserve specific objects or image areas.
Retouching and restoring images Page Smart Carver lets you selectively remove or protect areas when you scale an image. The Smart Carver dialog box opens. In the Object Removal area, you can move the Brush Size slider to the left to decrease the size of the brush, or to the right to increase the size of the brush.
Zoom in or out In the Zoom box, enter a magnification level, or use the slider or the arrows to adjust the zoom level. Pan to view hidden areas of the photo Click the Pan button in the preview area. Hide the brushstrokes in the preview area Mark the Hide Mask check box. You can view the scaling results in the preview area. To Do the following Set a photo width Type or set a value in the Width box.
Note: The maximum width is double the width of the original photo. Set a photo height Type or set a value in the Height box.
Note: The maximum height is double the height of the original photo. Retouching and restoring images Page To Do the following Reduce the photo width by 1-pixel increments Click the Contract the image horizontally button until the image is the desired width. Reduce the phot height by 1-pixel increments Click the Contract the image vertically button until the image is the desired height. Increase the photo width by 1-pixel Click the Expand the image increments horizontally button until the image is the desired width.
Increase the photo height by 1-pixel increments Click the Expand the image vertically button until the image is the desired height. Reduce the photo width by automatically removing the areas to which you have applied the Remove brush Click the Auto-contract horizontally button to remove red-painted areas.
Reduce the photo height by automatically removing the areas to which you have applied the Remove brush Click the Auto-contract vertically button to remove red-painted areas. What can you do? If you have a DSLR camera, you likely have features that can help you take multiple photos of the same scene.
Dynamic range is the range of luminance that can be captured in a photo, from the darkest shadows to the brightest highlights. Unlike the human eye, digital camera sensors or film in traditional cameras , can only capture a limited dynamic range when photographing scenes with both very bright and very dark areas, such as an interior with a large window.
HDR processing creates a bit image which has twice as much information, and therefore many more steps between tones, than an ordinary JPG. This HDR image is then evenly exposed, resolving details in the darkest areas, without losing definition in the brightest areas. Typically, an HDR file needs to be converted back to a bit image format for final output. The photos along the top were taken with different exposure levels, and then they were combined to create a single beautifully exposed image.
What camera features work well with HDR? You can use automatic exposure bracketing if your camera offers it or use the aperture priority mode and adjust the shutter speed to achieve different exposures. Avoid aperture changes because the depth of field may shift enough to cause blurring in some of the photos. Review the user manual for your camera for information about bracketing options and aperture priority mode. How many photos should I take for my HDR set? Usually, three photos is a good base minimum is two , but to capture a very high contrast scene, take five or more up to a maximum of nine.
What exposure settings should I use? Try an initial setting of 2. If you are taking a greater number of photos, you can set the exposure at lower increments, but make sure that the number of shots is enough to cover a wide range of exposure. Should I use a tripod? Using a tripod means that you are less likely to have alignment issues with the photos when you use HDR processing.
Please see the topics below for more detailed information about each step. Step 2: HDR Adjustments After you merge your photos, you can adjust the resulting HDR image by applying a preset, customizing a preset, or creating the look you want from scratch.
The key is to experiment. You can save your custom settings as a new preset. You can manage your presets by saving, loading, deleting or resetting them. You can save the HDR file with all settings, so you can reopen and modify it again in the future. When you are finished with Step 2 and move to Step 3, the final step, the application prepares the image for output by saving it to a bit image.
Merging exposures and content Page Step 3: Fine-Tune The final step is fine-tuning the merged image before you exit Exposure Merge. The controls in the Fine-Tune window are based on the controls in the Adjust workspace. To choose merge options for Exposure Merge Step 1 1 In the Manage workspace, select the thumbnails for the photos that you want to merge.
An orange outline appears around the thumbnails of selected photos. If you are not sure what to choose, select Auto Select. If the EV interval slider appears, set the exposure value that you used between photos. To see the results, enable the Preview Alignment check box near the bottom of the panel. If you want to tweak your merge settings, click Back to return to the Step 1 window. If your photos were not taken with a tripod or steady rest, there is likely some misalignment between shots.
If the misalignment is significant, you may not be able to use the photos for HDR. You can also add photos to or remove photos from the merge tray by clicking the Add Photos button or Remove Photos button in the tray at the bottom of the Exposure Merge window. To brush in or brush out artifacts in Exposure Merge 1 In the tray that appears below the Step 1: Merge preview area, click a thumbnail.
You don't need to be exact. Auto brush works well for removing ghosting along feature edges in photos taken without a tripod.
It is not recommended for larger ghost objects, such as cars and people. You can also Change the brush size Drag the Brush size slider. Refine or erase brushstrokes Click Eraser, and drag across a brushstroke in the preview area. Remove all brushstrokes Click Clear. Change the color of brushstrokes Click the arrow beside the Brush in or Brush out color swatch and click a new color. Hide or display brushstrokes in the preview area Mark or unmark the Show brushstrokes check box.
Drag the Temperature slider to warm or cool the colors in the image and drag the Tint slider to fine-tune the color. To re-enable color processing, click the Color tab. This saves the image content. You can also save your adjustments as a preset. The settings are applied to the image and it is saved as a bit file in preparation for the final output. The Step 3: Fine-Tune window appears. A thumbnail is added to the preset area. Import a preset file Click the Preset Options button , click Load, and navigate to the file.
Delete a preset Click the thumbnail for the preset, click the Preset Options button, and click Delete. Click Yes in the confirmation dialog box. All custom presets are deleted. Hide or display presets Click the arrow bar. The Exposure Merge window remains open. When the size of a zoomed-in image exceeds that of the preview area, you can click the Pan tool and move the rectangle to choose a preview area.
An orange outline appears around the thumbnail of the selected photo. This value is used to split the photo into three versions.
Three thumbnails appear in the tray. Merging batches of photos into HDR images If you use auto-bracketing on a regular basis, you may accumulate many sets of photos that can be processed as HDR high dynamic range images.
You can then evaluate which sets make good candidates for the more powerful HDR tools in the Exposure Merge feature. Batch Merge organizes photos into sets, based on the time between photos within a defined timeframe or a defined number of photos per set. To merge batches of photos into HDR images 1 In the Manage workspace, select the thumbnails for the photos that you want to merge. The photos are sorted into groups of three by default.
Looking for PaintShop Pro X5? Download Free Trial Learn more. Access free valuable resources when upgrading from PaintShop Pro X5. Tutorials Video tutorials introduce you to key features in PaintShop Pro so you can master the application quickly.
How-to Guides Short step-by-step written guides on the most common photo editing tasks. The software can be used for a variety of editing operations. Painting tools include brush tips, eraser, blend options and eraser to draw options. Drawing operations include path options and fill option. Video editing includes adding text and logos. One can import images from digital media and publish images in various sizes and formats. There are drawing tutorials available on the web that one can follow to learn about the software.
Corel Paintshop Pro Rank. The next step is to click the "Next" button. Fill in the User Name and Serial Number fields with your name and the serial number that came with the packaging. You can find your serial number by either logging into your online account at www. If you received a disc, you can find the serial number printed on the sticker affixed to the DVD envelope. The screen will allow you to pick the languages you would like to install with PaintShop Pro. The language pack will allow you to change languages for the workspace once the program is installed.
If you wish to continue with the installation at this point, click the 'Install Now' button. You may also wish to click the Options Tab before installation.
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